The Techniques of Neville Page (Volume 1-2)

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The Techniques of Neville Page 3 Rendering Eyes from Gnomon Workshop
Making eyes appear rich and soulful is critical to conveying character. In "Rendering Eyes", Neville Page clearly describes a process for rendering beautiful, frightening, or appropriately horrible eyes. Detailing the anatomy of the eye, he explains how to approach the various details that contribute to a natural looking eye including reflection, glossiness, refraction, color, veins, the iris and wetness. Whether you choose to start with an existing sketch, render from scratch, or paint over a rough sculpture – all of which are described during the course of the lesson – these techniques are crucial to any character rendering. Instructor for this title: Neville Page
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The Techniques Of Neville Page Rendering Flesh - YYePGiSO
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The Techniques Of Neville Page Rendering Flesh - YYePGiSO
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Gnomon Workshop - The Techniques Drawing of Neville Page (ENG)
Neville Page was educated at the Art Center College of Design in Pasadena, California. Although his major was product design, he has always gravitated towards entertainment. With the combination of his education and personal interests, Neville has found himself involved with quite a variety of projects from creature design and sculpture to conceptual design and engineering. His clients have included Universal Studios, Warner Bros., 20th Century Fox, Mattel and BMW to name just a few. He has worked on such feature films as Minority Report, Planet of the Apes, X-Men 2 & 3, The Lion, The Witch and The Wardrobe, Superman Returns, James Cameron's Avatar, J.J. Abrams' Cloverfield, Zack Snyder's The Watchmen, Louis Leterrier's The Hulk, and J.J. Abrams' Star Trek. Neville has also taught at the Art Center College of design (Pasadena and Switzerland), Otis College, Gnomon and corporate workshops.
Genre: Tutorials on drawing
Length: 4:18:27
Language: English
Vol.1 Character Design - Fantasy Wildebeest
Neville breaks down the development of character design and drawing into a systematic process that is easy to follow and easy to implement. He starts off with a very free form approach utilizing black/white thumbnails to create strong silhouettes. This also helps to take the edge off of the potential intimidation at the start of a project. Neville shows you how to create plausible anatomy, form delineation via simple primitive shape studies and surface detailing such as skin, wrinkles, hair and graphics.
Vol.2 Digital Painting - Fantasy Wildebeest
Drawing on the content from his Character Design and Sketching DVD, Neville paints a quick photo-realistic illustration using techniques employed within Photoshop. He starts off by establishing a color palette and value study by generating a small thumbnail painting. This becomes the foundation for the final illustration. Neville demonstrates various texture brushes and glazing techniques to create a quick, yet realistic representation of animal skin. The lesson reveals techniques for hair and detailing, as well as graphic treatments and color shifting. Neville also shows how to create a simple photographic studio setting for your character.
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The Techniques Of Neville Page 3 Rendering Eyes from Gnomon Workshop | .mov
Homepage: http://www.thegnomonworkshop.com/store/product/247/The-Techniques-of-Neville-Page-3
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Neville Page (Gnomon Workshop) - Creative Character Design Techniques 2010
Instructor Bio: Neville Page was educated at the Art Center College of Design in Pasadena, California. Although its main product was the design, he always gravitated towards entertainment. With the combination of his education and personal interests, Neville became involved in a variety of projects from design and sculpture at creature design and engineering. Its clients include Universal Studios, Warner Bros., 20th Century Fox, Mattel, and BMW to name a few. He has worked on films such as Minority Report, Planet of the Apes, X-Men 2 and 3, The Lion, The Witch and The Wardrobe, Superman Returns, James Cameron's Avatar, JJ Abrams Cloverfield JJ, Zack Snyder, The Watchmen, Louis Leterrier, The Hulk, Star Trek and JJ Abrams. Neville has also taught at the Art Center College of Design (Pasadena and Switzerland), Otis College, Gnomon Workshop and of the company.
Chapters
1. The Importance of Research and Anatomy - Acquiring and Understanding
2. Who s in Control - Loose Scribbles
3. Silhouette Design - Searching and Filling in the Black Space
4. Symmetry Sketching - Working in Mirror Mode
5. Sketching in ZBrush - Manifesting Happy Accidents
Topics Covered:
-)--- Looking at and Understanding Research
-)--- Loose Scribbles Without Much Direction
-)--- Seeing with a Long Leash
-)--- Mirror Sketching in ZBrush
-)--- Allowing the Pen to Direct You
-)--- Working in Silhouette where Proportion is King
-)--- Quick Rendering on the Silhouettes to Describe Form
-)--- Applying Bio Graphics
-)--- Finding the Design (Sneaking Up on It)
-)--- Sketching in 3D within ZBrush
-)--- Making a Symmetrical Sketch Look Asymmetric with Lighting
-)--- Adding Features/Topology along the Way
-)--- Applying Happy Accidents to Create a Face

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Gnomon Workshop - The Techniques of Puddnhead: Creature Design and Drawing Vol 1
Gnomon Workshop - The Techniques of Puddnhead: Creature Design and Drawing Vol 1 (ENG)
English | 656 x 480 29.97 fps | AC3 48000Hz 192 Kbps | 2.17 GB
Genre: eLearning
Puddnhead shows you how to create three different creatures from start to finish, from the abstract design of the character to the finished drawing. Using a mechanical pencil and kneaded eraser, he demonstrates how to develop emotional, three-dimensional and realistic designs. Over the course of the lecture, Puddnhead discusses how to give your characters more life, create original and unique types of characters, draw and render from your imagination, create expression and mood, and develop your focal areas. He explains his entire process, and you see every mark he makes as if you were sitting next to the artist.
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The Techniques of Neville Page 3 Rendering Eyes
Making eyes appear rich and soulful is critical to conveying character. In "Rendering Eyes", Neville Page clearly describes a process for rendering beautiful, frightening, or appropriately horrible eyes. Detailing the anatomy of the eye, he explains how to approach the various details that contribute to a natural looking eye including reflection, glossiness, refraction, color, veins, the iris and wetness. Whether you choose to start with an existing sketch, render from scratch, or paint over a rough sculpture
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The Gnomon Workshop : Comic Book Pin Ups DVD
Genre: eLearning
In this DVD, Joe Bentez unveils the secrets of drawing alluring comic book style pin-up characters. Sex appeal and allure is conveyed through many methods including stylized proportions, foreshortening, twists and curves. The importance of facial expression is also discussed in the context of conveying the right mood or emotion, along how this ties the character together.
Tips Covered:
* 3D Depth in 2D Space
* Conveying Sex Appeal
* "Posing" the Hair
* Finding Accurate Proportions
* Foreshortening
* Drawing Females vs. Drawing Males
* Expression and Emotion in the Face and Pose
* Classic Pin-Up Pose Breakdowns
* Twisting the Spine for more Dynamic Poses
* Keeping the Female Face Young
* Drawing the Face in Various Angles and Emotions
ScreenShot

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Gnomon : The Techniques of Scott Robertson Volume 1 - Basic Perspective Form Drawing (DVD5)
On this DVD Scott Introduces the Basics of 1, 2 and 3 point perspective drawing and leads you through the exercises needed to gain the skills necessary to draw man-made forms of your own design. Intended to be a lecture for the beginner or a refresher for the working professional, Scott shares the form building basics he utilizes when doing his advanced vehicle drawings; the drawing of freehand perspective grids and ellipses becomes the basis for a form building strategy.
The DVD concludes with the drawing of Complex Curved Surfaces That Become the Building blocks for Vehicles in Scott's following DVDs. Materials Used: Pencil and Pen.
1 Point Perspective 2 Point Perspective 3 Point Perspective Ellipses foreshortening Freehand Drawing Techniques Establishing a Perspective View Section Drawing Drawing Symmetrical Forms Chapters 01: Introduction 02: Drawing Mechanics 03: 1-Point Perspective 04: 2-Point Perspective 05: 3-Point Perspective 06: Foreshortening 07: Ellipses 08: Section Drawing Introduction 09: X, Y, Z Section Drawing 10: credits Scott attended Art Center College of Design Graduated with WHERE He honors with a BS Degree in Transportation Design in April 1990. The day after graduation, Scott opened a product design consulting firm in San Francisco with friend Neville Page. While there clients included Kestrel, Giro Sport Design, Nissan, Volvo, and Yamaha. In 1995 Scott relocated to Vevey, Switzerland to teach drawing and industrial design at Art Center, Europe until the middle of 1996. Since returning from Europe, Scott's clients have included BMW subsidiary Design-works/USA, Raleigh Bicycles, Mattel Toys, Patagonia, Minority Report feature film, Nike, Rock Shox, Universal Studios, Angel Studios and Fiat, to name a few. Today he continues to teach drawing at Art Center College of Design. Recently, Scott launched Design Studio Press, a publishing company dedicated to inspiring and educational art books and DVDs


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Gnomon - The Techniques of Scott Robertson Volume 1: Basic Perspective Form Drawing (DVD5)
The DVD concludes with the drawing of Complex Curved Surfaces That Become the Building blocks for Vehicles in Scott's following DVDs. Materials Used: Pencil and Pen.
1 Point Perspective 2 Point Perspective 3 Point Perspective Ellipses foreshortening Freehand Drawing Techniques Establishing a Perspective View Section Drawing Drawing Symmetrical Forms Chapters 01: Introduction 02: Drawing Mechanics 03: 1-Point Perspective 04: 2-Point Perspective 05: 3-Point Perspective 06: Foreshortening 07: Ellipses 08: Section Drawing Introduction 09: X, Y, Z Section Drawing 10: credits Scott attended Art Center College of Design Graduated with WHERE He honors with a BS Degree in Transportation Design in April 1990. The day after graduation, Scott opened a product design consulting firm in San Francisco with friend Neville Page. While there clients included Kestrel, Giro Sport Design, Nissan, Volvo, and Yamaha. In 1995 Scott relocated to Vevey, Switzerland to teach drawing and industrial design at Art Center, Europe until the middle of 1996. Since returning from Europe, Scott's clients have included BMW subsidiary Design-works/USA, Raleigh Bicycles, Mattel Toys, Patagonia, Minority Report feature film, Nike, Rock Shox, Universal Studios, Angel Studios and Fiat, to name a few. Today he continues to teach drawing at Art Center College of Design. Recently, Scott launched Design Studio Press, a publishing company dedicated to inspiring and educational art books and DVDs

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The Techniques of Neville Page 3 Rendering Eyes from Gnomon Workshop .mov
Homepage: http://www.thegnomonworkshop.com/store/product/247/The-Techniques-of-Neville-Page-3
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Gnomon - Drawing the Figure: Volume One
It can also be used to map out the
essential idea conveyed in the pose. Jack explores rapid-sketch
technique, weight distribution, and the rhythm of the body parts as they
adjust to the effects of gravity. Key concepts such as "contrapposto",
twist, overlapping shapes, and foreshortening are also covered. In
short, this lecture will show you how to create a dynamic, lively
interpretation of the subject being observed.
Screenshot:

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The Techniques of Neville Page - Rendering Eyes
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The Techniques of Neville Page - Rendering Flesh
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The Techniques of Neville Page Volumes 1
1.Character Design
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Creative Character Design Techniques with Neville Page
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Gnomon Workshop - Character Design Techniques
In this DVD Keith Thompson reveals his process for taking a zombie creature concept from a thumbnail sketch to the finished drawing. Keith demonstrates each step, from idea development and creating the initial drawing using traditional media to scanning the drawing into the computer and then applying colored glazes in Adobe Photoshop
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Gnomon Workshop The Techniques Drawing of Neville Page ENG
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